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Nicholas Lens, a Belgian composer of contemporary music, is known particularly for his operas. One of his earliest works is the music drama ‘Flamma Flamma – The Fire Requiem’, the first part of his triology ‘The Accacha Chronicles’ (Flamma Flamma / Terra Terra / Amor Aeternus).
The fusion of non-European musical cultures and Western classical music has been described as highly unique.
‘Flamma Flamma’ is conspicuous for its unusual instrumentation – apart from chamber orchestra, mixed choir and six soloists, there are also a Japanese koto, an extensive percussion set-up and three natural voices. The work is a composition beyond all conventions.
Unlike almost any other requiem, ‘Flamma Flamma’ not only deals with grief and pain, but also with the idea that death