South Londoner Wu-Lus stunning new album contains post-genre war dubs that speak directly to these richly troubled times. The twelve simmering tracks from the producer, multi-instrumentalist and vocalist are made of depth-charged post-punk, thrashed-up skate-park screamo, and the gauzy hip hop that Knwxledge might make if hed got lost round the back of The Windmill on Brixton Hill. Its laced with revvy, ethereal guitars that warp and loom like electric pylons, concrete walls of bass that power out of drill-influenced, triplet-laced drums and piano melodies that pull you through. It teleports between Factory Records in the darkest 1980s and classic albums from DJ Shadow or early 90s Slipknot. LOGGERHEAD pulls from the past and reshapes it for now.

South Londoner Wu-Lus stunning new album contains post-genre war dubs that speak directly to these richly troubled times.

The twelve simmering tracks from the producer, multi-instrumentalist and vocalist are made of depth-charged post-punk, thrashed-up skate-park screamo, and the gauzy hip hop that Knwxledge might make if hed got lost round the back of The Windmill on Brixton Hill.

Its laced with revvy, ethereal guitars that warp and loom like electric pylons, concrete walls of bass that power out of drill-influenced, triplet-laced drums and piano melodies that pull you through. It teleports between Factory Records in the darkest 1980s and classic albums from DJ Shadow or early 90s Slipknot. LOGGERHEAD pulls from the past and reshapes it for now.